Sir William Cornelius Van Horne (1843-1915), principal builder of the Canadian Pacific Railway and prominent businessman, was an important collector of paintings and Japanese ceramics and an accomplished amateur painter. Born in Illinois, he worked for American railway companies in various capacities until 1882, when he was appointed general manager of Canadian Pacific Railway, the construction of which was completed under his direction. In 1888, Van Horne was elected president of the company, and in 1899, he became president of its board of directors. He retired from active work in the company in 1910. Van Horne incorporated the Cuba Company in 1900 following a visit to that country; under its operations he built and operated a railway, sugar plantations and hotels. In North America, Van Horne was executive or director of more than 40 companies, and was considered one of Canada’s most successful businessmen. William Van Horne married Lucy Adaline, daughter of Erastus Hurd of Galesburg, Illinois, in 1867. They had 3 children: Adaline (1868-1941), William (1871-1876), and Richard Benedict (1877-1931). The family lived principally in Montreal, and also had residences in St. Andrews, New Brunswick, and in Cuba. Van Horne was knighted (KCMG) in 1894. Sir William’s art collection is considered to have been the most prominent pre-First World War collection in Montreal. It contained Old Master and 19th-century European paintings and Japanese ceramics, and also featured ship models and European decorative arts. Van Horne lent regularly to the Montreal Art Association (precursor to the Montreal Museum of Fine Arts) from 1887 to 1912. His reputation as a collector resulted in his appointment to the consultative committee of the Burlington Magazine in London from 1905 until his death in 1915. Following Sir William’s death, the bulk of his ceramics collection was left to the Royal Ontario Museum in Toronto and the art collection passed to the joint ownership of Lady Van Horne and her children Adaline and Richard Benedict, according to terms of Sir William’s will. Lady Van Horne died in 1929. Under the terms of her will, a portion of the art collection went to the Montreal Museum of Fine Arts and the rest was shared among her children. Richard Benedict Van Horne died in 1931. His widow, Edith Molson, had no claim to any share in the remains of the art collection; subsequently she married R. Randolph Bruce. A fire at the Van Horne mansion in 1935 did not damage any paintings. Adaline Van Horne, who had been managing the collection through the 1930s, died unmarried and childless in 1941. Ownership of the collection then passed to Richard Benedict and Edith’s son William C.C. Van Horne (1907–1946) and his wife Margaret (d.1987), familiarly known as “Billie” (née Hannon). When William died, leaving no heir, ownership of the collection remained with his wife. Margaret Van Horne managed the art collection for over forty years, corresponding with art dealers and conservators in order to achieve optimal values for paintings. Numerous paintings were sold in several different auction sales over the course of this time. She continued to live in the Van Horne mansion until 1972. The house was demolished the following year to great protest in the architectural conservation community. When Margaret Van Horne died in 1987, the remainder of the collection passed to her brother Matthew Hannon. Upon Matthew Hannon’s death in 1988, the remainder of the art collection passed to his heirs.
Florence Vale, Canadian artist, was born on April 18, 1909 in llford, Essex, England and died on July 23, 2003 in Toronto, Ontario, Canada. Her family immigrated to Toronto two years after her birth, where she grew up with an interest in music. She married artist Albert Franck on June 8, 1929, and together they bought a house on Hazelton Avenue in Toronto which became a centre for artists, writers, musicians, and critics. Florence Vale was the mother of two children, Trudy (who died as an infant) and Anneke.
Florence Vale began to paint with her husband’s paints and brushes in the late 1940’s with no previous artistic training – only what she had learned under the influence of her husband and the artists who visited her home. Her art was influenced by Surrealism, Cubism, Expressionism, and the works of Paul Klee. After her husband’s death in 1973, Florence Vale continued to express her artistic ability with oil paints, collages, and ink, also including her own poetry in some of her works. Many of her works, most prominently after the death of her husband, were erotic, while still viewed by critics as keeping a whimsical, innocent tone. Her art appeared in exhibitions throughout Ontario, with exhibitions also in Quebec and New York, U.S.A. She was associated with the Gadatsy Gallery, Toronto.
The Tovell family of Toronto, in particular Harold Murchison Tovell (1887-1947), Ruth Massey Tovell (1889-1961) and their son Vincent Massey Tovell (b. 1922), was active in art circles in Toronto for several decades following the First World War. Harold Tovell and Ruth Massey married in 1910 and in 1913-1914 travelled in Europe, visiting the major art galleries. Returning to Toronto, they lived on the eastern edge of the city in Dentonia Park, the Massey estate, until 1936 when they moved to the city centre. The Tovells built a collection of works by Canadian and European artists. In France in 1926 they met French painter Marcel Duchamp (1887-1968) through their friend American author and artist Walter Pach (1883-1958). In 1928 they purchased a painting by Duchamp’s older half-brother Jacques Villon (1875-1963) at an exhibition in New York. They met Jacques and Gaby Villon in Paris in 1930 and corresponded with them until the 1960s. The Villons befriended Vincent who visited them in France in the years before the Second World War. From 1941 to 1947, the Tovells lived near Port Hope, Ontario. After her husband’s death, Mrs Tovell returned to live in Toronto. Harold and Ruth Tovell had three other sons: Walter (b. 1916), a geologist and Director of the Royal Ontario Museum 1972-1975, Freeman (b. 1918), diplomat and historian, and Harold (1919-2002), a physician. They bequeathed many of their artworks to the Royal Ontario Museum, the National Gallery of Canada and the Art Gallery of Ontario.
John Theberge (1940- ) was a professor and researcher in the Faculty of Environmental Studies, University of Waterloo, from 1972 until his retirement in 2000. Theberge received his BSc from the University of Guelph, MSc from the University of Toronto, and PhD from the University of British Columbia. John Theberge's career focused on his wolf research, pioneering a technique using vocal patterns to identify wolves. John Theberge and his co-researcher and wife Mary Theberge became Canada's premier timber wolf research team, receiving international recognition for their field research. In 1993, Equinox magazine proclaimed John and Mary Theberge "Environmentalist of the Year". In 1998 they were presented with the Harkin Medal from Canadian Parks and Wilderness Services.
Ann Augusta Stowe-Gullen (1857-1943) was a medical doctor, a lecturer and a suffragette. She was born in Mt. Pleasant, Ontario, the daughter of John Stowe and Emily Howard Jennings. She married John Benjamin Gullen in 1883. She died in Toronto. Stowe-Gullen was educated at the Toronto School of Medicine, then at the Faculty of Medicine at Victoria University, Toronto, where she became an M.D. in 1883, the first woman to graduate from a Canadian medical school. Immediately after graduating she was appointed Demonstrator in Anatomy at the Woman’s Medical College in Toronto (from 1894 onwards known as the Ontario Medical College for Women). In 1890 she was appointed Lecturer on Diseases of Children, subsequently Professor of Diseases of Children. She also served among the original staff members of Toronto Western Hospital (founded in 1896). Stowe-Gullen was a member of the Ontario College of Physicians and Surgeons, the Ontario Social Service Council, the Senate of the University of Toronto where she represented women in the medical profession (1912-24), the Toronto Board of Education (1892-96), the University Women's Club, the Women's Art Association, the Women's Board at Toronto Western Hospital, and the Women's Canadian Club. She was also active in the suffrage, temperance and other social movements. She was among the founders of the National Council of Women in 1893, (President) of the Canadian Suffrage Association, (Vice-President) of the National Council of Women, and she succeeded her mother as President of the Dominion Women’s Enfranchisement Association in 1903. In 1935 she was awarded the Order of the British Empire.
Emily Howard Jennings Stowe (1831-1903) was a teacher and principal, a medical doctor, and a suffragette. Educated at home, Stowe became a teacher in 1846 and graduated from the Provincial Normal School in Toronto, Canada West in 1854. In 1865 Stowe applied to study medicine at the University of Toronto, but was denied entry because she was a woman. Unable to pursue her education in Canada, she attended the New York Medical College for Women. After graduating in 1867, Stowe returned to Toronto to practice medicine without a license. In 1870 she was allowed to attend the University of Toronto and was granted a medical license in 1880. In 1877 Emily Stowe organized Canada's first suffrage organization, initially called the Toronto Women's Literary Club, which later became the Toronto Women's Suffrage Club.
Israel "Irving" Steinberg was born January 16 1919 in Peterborough Ontario. Shortly after his birth he moved with his parents, Joseph and Leah Steinberg and his sister Rose Steinberg, to Sudbury Ontario where his father founded Toronto Bargain Stores. The Steinbergs lived in Sudbury until 1932 when they moved to Toronto. Joseph Steinberg died on July 14 1963, and Irving Steinberg as executor of his estate retained property in Sudbury until 1968 when it was expropriated by the city as part of a downtown urban development project. Irving Steinberg passed away on March 1, 2011.