Mostrando 117 resultados

Collection consists of a four-volume set of proof engravings by Henry Sandham for his illustrations in Century Magazine and other publications. The engravings were assembled by the artist, who inscribed in ink on the title page of volume 1: “The only complete set of proofs of the engravings from Hy Sandham’s drawings for Century Magazine from 1881 to 1886. These proofs were printed from the blocks before they were electro-typed and cannot now be reproduced except by being engraved again. The cost of each print in this book was fifty cents. Hy. S.”

Fonds consists of records relating to the life and work of the artist and author Charles William Jefferys. It includes the artist’s correspondence, notebooks, research materials and manuscripts of his written work. Also included in this fonds are the research materials compiled by Robert Stacey, the artist’s grandson, about all aspects of the life and work of Jefferys, including information on all Jefferys’ writings and art, articles and reviews published by and about Jefferys, as well as information about the artist’s personal life, professional activities and travels. Stacey also conducted research on the Jefferys family history. Fonds is comprised of the following series: Jefferys family genealogy compiled by Stacey Jefferys’ accounts and business records Jefferys’ associations and clubs records Jefferys’ personal records Jefferys’ correspondence Stacey’s research files on places and people associated with Jefferys Writings by Jefferys Writings on Jefferys Stacey’s research files on Jefferys’ illustrations “The Moon” files Stacey’s research files on Jefferys’ art Stacey’s notes on locations associated with Jefferys Stacey’s research files on owners of Jefferys’ art C.W. Jefferys Estate Archives contents Stacey’s research files on Jefferys’ exhibitions Jefferys’ notebooks Portraits of Jefferys and family Newspaper clippings collected by Jefferys and Stacey Jefferys’ photographs and clippings from Western Canada

The fonds includes correspondence, newspaper and magazine clippings, photographs, drawings, poems, notes and memorabilia relating to Helen Sanderson’s student days at the Ontario College of Art and subsequent teaching career. Many of these were pasted into a scrapbook, entitled ‘Art School Days’, forming a distinctive memoir of student life in the 1920’s and 1930’s. The fonds is arranged in a single series.

Fonds consists of correspondence, newspaper and magazine clippings, lecture notes, newsletters, cards and party invitations, exhibition catalogues, reproductions of art works, passport, certificates, and photographs relating to L.A.C. Panton’s personal and professional life. The photographs range from portraits of his family in England to scenes that provided the basis of paintings, particularly the Nova Scotia coastline. Correspondence relates to his involvement in art societies and his community in North Toronto but does not include his family life. Letters were received from several members of the Group of Seven, Florence Wyle, Arthur Heming, Fred Brigden, G.A. Reid and many others. Clipping files relate both to his professional life and his interest in economics and current events. The fonds arrived at the archives in no discernible order; order has been imposed by the archivist to correspond as much as possible to a file listing found in the fonds. Fonds is comprised of the following series: L.A.C. Panton’s file arrangement Other files Photographs

Fonds consists of two scrapbooks containing material created and collected throughout George Reid’s life and were compiled by him in the late 1930’s. Volume I, 500 pages, contains photographs and notes on the Reid family; drawings, sketches, etc., as well as press clippings and exhibition catalogues relating to works of art by Reid and his first wife, Mary Hiester Reid. The 131 pages of Volume II are devoted to designs for buildings and their interior fittings, including summer homes and a church at Onteora, New York, houses in Wychwood Park (Toronto) including the Reid house, and Ontario College of Art designs. Materials include drawings in pencil, pastel and ink, watercolour sketches, small oil paintings, blueprints, photographs, postcards, letters, texts of speeches, letters, awards and material clipped from magazines and newspapers.

Fonds consists of the administrative files created by the Mercer Union gallery during the first twenty years of its existence, including photographs and slides, material printed for the gallery (catalogues, posters, invitations etc.), newspaper reviews, and a small number of video tapes, audio tapes and computer disks. Files remain in the order they were received; errors in filing have not been corrected. Fonds is comprised of the following series: Artist/exhibit files Board of Directors files Programming binders Curatorial files Promotional material

Fonds consists of the personal and professional records of John Boyle, including documentation of his work as an artist and his writing projects. Fonds includes documentation of Boyle’s involvement with Canadian Artists’ Representation Ontario, the Niagara Artists’ Company, and the Nihilist Spasm Band. Fonds is comprised of the following series: Exhibition and project files Nihilist Spasm Band files Canadian Artists’ Representation Ontario files Niagara Artists’ Company files Studio business files Manuscript writings Inventories of art works Adjunct art works Posters Financial records Published writings and illustrations

Fonds consists of photographs of Canadian artists and paintings, personal and professional correspondence of Newton MacTavish, manuscripts, offprints, illustrations, newspaper articles and reviews and other photographs. Included are correspondence and manuscripts of Kate Johnson MacTavish. Fonds is comprised of the following series: Correspondence Manuscripts Offprints Reviews Newspaper clippings Original illustrations Photographic studies Photographs of Canadian artists Photographs of paintings by Canadian artists Negatives Miscellaneous

Fonds consists of correspondence, photographs and other material related to the J.S. McLean Collection (including the Canada Packers collection) and to J.S. McLean’s position as a vice-president of the Art Gallery of Toronto. Fonds is comprised of the following series: J.S. McLean Collection documentation Photographs Tom Thomson sketches correspondence Art Gallery of Toronto papers

The collection consists chiefly of photographs of the artists Elizabeth McGillivray Knowles (1866-1928), Farquhar McGillivray Knowles (1859-1932), George Agnew Reid (1860-1947), Mary Heister Reid (1854-1921), Mary Wrinch Reid (1877-1969) and Edmund Wyly Grier (1899-1961), their studios and works, along with related textual materials. Fonds consists of the following series: Elizabeth McGillivray Knowles Farquhar McGillivray Knowles George Agnew Reid Mary Heister Reid Mary Wrinch Reid Edmund Wyly Grier